Experience in camera tracking hundreds of shots, from drone GoPro footage to anamorphic stereo. Pulling the maximum amount of data from the process as possible to help other departments down the line
For both non-deforming and deforming objects. This can be used for anything from digital makeup to adding reflections in car windows.
Full body rotomation of characters. We have our own adjustable generic rigs that fit most purposes but if not we can use custom rigs for a specific show, depending on what’s needed.
All of these elements can be laid out into a common world space, if needed. Along with geometry made for the location/set as reference to where things are in 3d.
The best way to make sure what you shoot will be trackable in post is to have someone on set during the shoot. Whether it just be for marker placement on a green screen or setting up witness cameras on location its always best to chat before the shoot.
Over the past few years I’ve worked with a lot of clients and with a large handful of studios. Here are a few key roles I’ve had.
3D LEAD & ONSET SUPERVISOR
Prime Focus Broadcast, Automatik, Lexhag
SENIOR ROTO ANIMATOR
Double Negative, Prime Focus World
Send me an email here: firstname.lastname@example.org or contact me on: 07403455948